Davinci resolve 15 optimized media1/7/2023 ![]() Remote transcoding is great to free up your workstation or edit bay while a server whirls away. Furthermore not all these editors support a simple way to transcode on a remote system. They often have very limited codec options without added plugins. Unfortunately these NLE applications aren’t always great at maximizing system resources. Then you can just edit with that and not use a proxy at all. Another preference may be to convert to an NLE friendly codec/format like DNxHD. Many NLEs even have a built-in workflow that does this. Then use the result as a lightweight proxy for editing, but at delivery use the original to transcode the final product. Use a low resolution and bit rate with a friendly codec. You could transcode, “render” or “optimize” it with your Non-Linear Editing (NLE) system. These codecs are a burden for even powerful workstations to process. ![]() Many consumer cameras only output to formats suited for content delivery (i.e. If you’ve ever tried to edit H.264 video, especially 4K you know it can be a stuttering choppy pain! I’ve even seen crashes. ![]() Compatible Chroma Subsampling & Color Depth.Deep Drive: DNxHR and FFmpeg Transcoding.Proxies and optimized media formats are easy with FFmpeg transcoding! Fix poor performance in H.264, H.265 codecs found in MKV, MP4, FLV, F4V, EVO, ASF, 3GP, 3G2, MOV, and AVI containers. ![]() Adobe Premiere, Avid Media Composer, and Davinci Resolve can experience choppiness, stuttering, and even crashes. Choppy playback easy fix with FFmpeg and DNxHD/ DNxHR in Material Exchange Format ( MXF).
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